Ernest MacMillan began organ study at eight and made his debut shortly thereafter.Įmma Albani made her debut as a singer, pianist, and harpist at eight, and an international career was predicted for her when she was 14. The jazz pianists Chris Gage, Oscar Peterson, and Doug Riley, all of whom showed phenomenal abilities while very young, might also be considered prodigies. 3 with the Vancouver Symphony Orchestra at nine Angela Hewitt Diedre Irons Elaine Keillor, who gave her first public performance before she was three and completed her ARCT at 11 Muriel Kerr Minuetta Kessler Mari-Elizabeth Morgen Jon Kimura Parker, Patricia Parr Berthe Roy, and Jean-Alexandre Sarrazin. Other piano prodigies include Gilles Breton of Quebec City Winnipeg-born Valdine Conde, who made her debut (1938) at nine with the New York Civic Orchestra playing Saint-Saëns' Concerto in G Minor Toronto-born Muriel Albert, who was composing at three and whose appearance at 12 (ca 1944) as a pianist with the Buffalo Philharmonic won 10 curtain calls Glenn Gould, who read music at three, composed at five, and completed an ATCM at 12 Stewart Goodyear (b Toronto 1978), who first appeared with the TS in 1990 and who has also displayed talent as a composer Marian Grudeff Vancouver-born (ca 1946) Andrea Kalanj, who played Beethoven's Concerto No. Haliburton studied music in Germany and was known among his friends as 'the American Mozart.' Other prodigious Canadian children have included Clermont Pépin, who at eight began to compose a symphony for piano four-hands and André Mathieu, who gave his first piano recital at six and had his earliest piano compositions published shortly thereafter.Īmong Canadian pianists, Willy Eckstein was known at 12 as 'The Boy Paderewski,' and Ellen Ballon at six passed the AB of the RSM and RAM exams. Possibly the first Canadian to be considered a prodigy was Tom Haliburton (b probably at Annapolis Royal, NS,, d Massachusetts ), son and namesake of the author of the famous Sam Slick novels. Among Canadian musicians there are many who gave recitals at six or seven, but often, on the evidence extant, it is difficult to be certain whether these offered ordinary beginners' programs performed neatly or advanced music performed with mature authority. A child may be bright or appealing - or cleverly exploited - without being a prodigy. Children endowed with phenomenal intellectual and technical abilities which enable them to function, in art or science, as adults.
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